Tuesday, June 24, 2008
Thursday, June 19, 2008
Back to solitariness
Rohit sat with his legs folded on the sea shore. Scribbling something on the sand with his fingers and waited for the waves to come and wash it away. Rohit never knew he would be so profundly executed by this relationship. Without much thoughts on its persistence and longivity he moved into a rational relationship with Neelima.
Neelima and Rohit worked together. Rohit was simple, down to earth and a contended guy. Neelima was fashionable, every ready to spread wings and fly, happy-go-lucky and very lively. Their complimentary nature brought them together and even before they could discover each other as friends, Rohit proposed Neelima. Neelima was naive, ignorant and saw a "Mr. Perfect" in Rohit.
I left Rohit to cry. He will understand life a little better in a few days.
Monday, June 16, 2008
Love, Lies and Murder !!
The first one was of Niraj Grover's ghastly murder case and the second one was Udit Bharati's murder case. Loyalty and love were brutally murdered in hide of hate, disgust and lust.
Naval officer Emile Jerome Mathew (25) and his girlfriend Kannada movie actress Mariah Monica Susairaj (27) cold bloodedly eliminated Neeraj Grover to pave a path of love for themselves. The story goes like this. Grover, a creative director and Susiraj, a budding actress had a relation going smooth enough. Little did Grover know that for Susiraj he is just a support ladder to grow up in her ambitions. Susiraj soon switched her loyalties to a Naval Captain Emile Jerome Mathew. Perturbed Grover was left with little choice than to accept the bitterness given by his love. If this was not less, the actress and the captain (I hate even calling their names) planned to erase Grover. The actress invited Grover over her place lured him to fall for her charm again. The captain walked in provoked and the duo mercilessly ended Grover's story. That was not all. After the murder, the actress went to a nearby mall and made a host of purchases which included a few knives, curtain cloth, bed linen and sports bag. They raped "humanity" by chopping Grover into countless pieces and disposed off everything but forgot to dispose the weapon which was recovered by the investigators from a trash bag in the actress's house. They got caught and have no remorse for what they did. The victim n rests (in peace) for ever leaving behind his a family and friends to shed tears for an irrevocable loss.
The second story is a paradigm shift of innocence to gruesome. The school time love between Aditi and Udit in the beautiful valley of Jammu ended up with Udit's life far far from his hometown in a small municipality of Pimpri near Pune. They wanted to get married when their parents suggested them to establish their career. They came to Pune to pursue their MBA. Aditi met Praveen in her college and knocked down Udit. As if these women have the remote control of a man's happiness in their hand. As if they are born to destine men's life. A broken Udit secluded himself from Aditi. Aditin and Praveen moved to Gurgaon for their job. They couldn't see Udit being calm and rising in his career and then the devils started their workshop. They travelled to the doorsteps of Sai Baba in Shirdi and came to Pune. Udit was invited by the biggest misfortune of his life who was disguised in face of Aditi to eat the prasad. Aditi laced the prasad from Shirdi with Arsenic, a deadly poison. Offered it to Udit in name of God. Udit bid good bye to Aditi - and he bid good bye to the world. He never woke up again.
But this is nothing new. Helen of Troy followed the same suit.
Tuesday, June 10, 2008
Thinking about BIG
Once there was EER, once there was a BEER, once there was a PHATTE and only once will there be an AMITABH BACHCHAN.
The first randezvous I had with Amitabh Bachchan was when I heard him singing "mere paas aao mere doston ek kissa suno..." on TV. I never had the privilege of my granny telling me bed time stories and so I was truely interested in this fable sung by Big B. In the early eighties the name Amitabh was an epitome of growing success and I looked upon him as a man of values and success closely woven together. His movies, actions and words always reflected the values which I loved to imbibe.
Watching his movies were like nurturing dreams and ideas in my eyes and mind. No matter what role he played I could always find a little "vivek" in the "big B". I know this is far from modesty but thats what I have always looked upon AB for. After seeing "Black" I started loving myself being addessed as "Mr. Sahay".
The childhood reminiscent of chitragupta puja (prayer offered by the Kayastha community to lord Chitragupta shortly after Diwali eve) always reminded Amitabh Bachchan as "Amitabh Harivansh Srivastav" and that idea made him feel so much like a family. When I gained adoloscent I developed liking for recitals and I recited Madhushala. Less because of my fondness for potery and more because AB himself use to recite Madhushala every year marking his father's death anniversary.
I then wanted to race to see all his work. Starting from his debut "Saat Hindustani" and have not missed till the latest "Sarkar Raj". Every movie was followed by a tea time gossip. Bagging of Filmfare's Best Newcommer as one of the seven protagonists in Saat Hindustani, the experience of ghost during the shoot of "Reshma aur Shera", the ego clash between him and Rajesh Khanna on the sets of "Anand", the reel-life-romance turning into real-life-romance on the sets of "Guddi", evolution of his new persona as angry-young-man in "Zanjeer", "Trishul" and the films there after. Not to be forgotten he ruled the comedy pages in "Chupke Chupke" , "NamakHalal", "Satte-pe-Satta" and by then AB got so well groomed that he could paint himself in all the colours of acting in one single movie. Like "Deewar", "Amar Akbar Anthony" etc. His romances in "Muqaddar ka Sikandar" and "Silsila" started setting examples for the love birds of eighties.
Every rising sun sees a slump and AB came up with "Shehenshah" , "Lal Badshah", "Suryavansham" and the worst of them all "Suryavansham". I never could muster the courage to watch Suryavansham.
And then came the new era of Kaun Banega Crorepati. He started doing it again what he was best at - mesmerising people by his voice. I saw time getting still twice in my life. Once when BR Chopra's Mahabharat was played on Sundays for 1 hour. Streets appeared as if they are curfewed. People locked themselves inside their house glued to the TV. This was repeated when AB hosted Kaun Banega Crorepati. And he proved that "picture abhi baaki hai doston". There was no looking back. He regained his prominence with "Kabhi Khushi Kabhi Gum", "Ankhen", "Khaki", "Black", "Baghban", "Ved", "Sarkar" and its sequel "Sarkar Raj".
His tales of fan fare, people shedding tears after the shooting fiasco of Coolie, his rise and fall as an actor turned politcian turned businessman turned actor again gave me food for thought about struggle and survival of the fittest. Deaceds later people of India shed their tears after the Coolie fiasco once again when AB was in hospital for some medics reason. I could feel how sensitive the people of India still are towards their pride posession.
He is a man who has attitude and he carries it well and survived against all political or social critics. Finally, came a fortunate day when I captured a mere glimpse of the living legend at Mumbai International airport. It was the most exhiliriating experience of my life. My fingers went numb when I saw him from a distance so close.
Just kidding - never got a chance to meet or see him face to face. Wish if this dream could come true someday !!
I have one dream - to dine with this Larger-Than-Life member of my family at my home :)
When I feel low and when I need that injection of motivation I turn myself to his "India Rising " video http://www.youtube.com/watch?v=W9jUAtsNQdo